“We come together, not just because of the fabric, but because of the the passion” – Aneta and Joseph Weinreich
What does the brand Henry Roth stand for?
As I was writing this, another bomb went off; two in Boston to be exact. The Boston Marathon. They were running to raise money for the victims of the mass shootings of children in Connecticut aged around 6 – 8 years old. I am very sorry, but there is something very wrong and we better start embracing that.
It’s time to hold close to what we believe and who we love and who is in our lives and make meaning of the things that we have control over.
Big time.
Somehow, because my parents Aneta and Joseph Weinreich escaped the slaughter of six million, (that is million) Jewish people during the Second World War;
because fathers and aunts and brothers and best school mates and teachers and doctors and lawyers perished – they have incredibly strong view points on many things.
When it comes to wedding gowns, wedding planning, love ever after - it’s one message. For the two of them after nearly 60 years of working and living together .
Just work as a team and be optimistic.
If you look at the sky long enough and are looking for the clouds… look harder and it will certainly rain on you. If you seek the sun you will find the sunshine – it’s that simple.
It’s in this atmosphere, that myself and my two sisters, first generation Australian Jews, were brought into this world.
My parents, whose own parents had experience in fashion in one side and on the other of all things in a bridal charity started lives in Australia separately, then met and six months later it was down the aisle.
Despite coming from the bleakest of moments when the human spirit is questioned, they never did.
Poor can’t describe my parents as they were so. But they are so very richly spirited – overflowing with “we can and we will!”
No money. No university as they were a bit preoccupied at the time with survival and were busy saving their lives; no formal training as such, nothing to lose as there was nothing to save but themselves and each other.
And they created what is now called Henry Roth (they started as Rainbow of Sydney).
What does this mean to you, or me, or your wedding dress created by commercial wedding dress designers? That being, when it comes down to it, us. Henry Roth.
I believe we have a heritage. A history. Lessons my parents have and actively do pass on, that we carry and that we work by. That we try and be like daily.
What is instilled in us one major thing.
We all beat with the same heart, the same blood, the same group of humanity that we are citizens of.
It means that to us, that all our brides are our celebrities, no more or less. Whether you are Jennifer Aniston of Broome, Western Australia, or Halle Berry of Hollywood.
It means that we try to be available to our brides; that we are transparent, that we involve ourselves with you if you wish until you reach the top of the aisle. It means that we care, that we take responsibility and that we are honoured and privileged to have the most incredible staff and authorised stores that have a heart and ethics and pride in their professionalism.
Together with YOU, our Brides, our amazing people from all over the world and all walks of life, all types of religion, all kinds of approaches – we come together – not just because of the fabric, but because of the the passion and genuine feelings .
This weekend past, my parents were able to tell some of their story on the acclaimed Compass program.
They also feature on Roth tv Channel 5 Rent-A-Parents.
You cannot know how proud we are of our parents and who they are and what they instilled in us.
It is this:
Love equally, respectfully, quietly, deeply.
Tags : ABC, Australia, Boston Marathon, bridal dresses, brides, Compass, Henry Roth, henry roth bridal gowns, henry roth wedding dresses, Michelle Roth, wedding dresses, weddings, Weinreich
It won’t be long before I will be joining the Today Show team from Australia in LA reporting on the aftermath of the 2013 Oscars frockathon.
I have focussed on the Top 5 most memorable gowns and how they influenced bridal style for inspiration and also to limber up before this year’s Oscars.
In at number 5 the amazing Heidi Klum showed us how it was done in 2008, absolutely flooring everyone with her silk taffeta John Galliano creation. She showed the carpet how it should be walked – like it is a runway! How did it influence bridal? Texture, flamboyance and daring to be different, with Galliano’s signature influence.
In at number 4, Donning Zuhair Murad in 2012, Jennifer Lopez outshone the little golden man himself, in a plunging and heavily embellished metallic number which suited her figure perfectly. If you are going to take on Oscar, this is definitely the way to do it. J Lo has a huge influence on brides daring to bare that decades ago would have been taboo.
In at number 3, the queen of the dazzling smile, Julia Roberts, made an equally dazzling move and really brought in the vintage movement with her stunning Valentino monochrome dress in 2001. She looked classy, confident and chic – three things guaranteed to make her post-win photo call incredibly memorable. She is the poster child for vintage – she was almost shocking in her originality and made brides re-embrace vintage, which has had a huge influence on today’s wedding gown styles.
At number 2, Barbra Streisand made Oscars history with her see through outfit in 1969 when she won for Funny Girl – not so much because of the material, but because it was – shock horror – a pants suit! This has led to a thousand imitations over the years, with interpretations ranging from Le Smoking to Sharon Stone’s white Gap shirt with a taffeta ball skirt. You may not think the outfit is particularly flattering, but it paved the way for the non-traditional being acceptable. Ms Streisand, always the ground-breaker! This was the era of Germaine Greer; women expressing their identity and daring to be different – a still continuing trend for today’s brides.
And finally – we have one of the new style leaders on the block. Rooney Mara, recent Vogue covergirl, has proven time and again in her relatively brief red carpet history that she simply gets it right. From her perfect Louise Brooksian bangs to her ruby red lips and pale, pale skin, her 2012 all-white Givenchy made best-dressed lists world wide – and she continues to not put a foot wrong. Number one in my style files this girl! What it has meant for brides? Being able to embrace the modern, fresh, less is more, pared down look. Striking silhouettes are all that is required.
See you on the red carpet…
Henry
Henry Roth will be seen on the Nine Network on Monday 25 February live across Australia.
Tags : Barbra Streisand, bridal gown trends, brides, Heidi Klum, Henry Roth, Jennifer Lopez, Julia Roberts, Oscars, Oscars 2013, Rooney Mara
Renowned Fashion Design House Now Offering 1:1 Consultations in US and Australia
(Trunk Shows and Designer Days get a whole lot more personal)
International Design House Henry Roth announced today that it is embracing 2012 as The Year of Personalization for Brides with a new one-on-one consultation service that extends from buying a dress through to down the aisle in select locations in the US and Australia.
Normally the Henry Roth Design Studio both in Australia and the USA are turning up the volume by offering a unique, cutting edge and distinct difference between buying online and personal customer service. Starting today any bride who books in for Trunk Shows or Designer Days in either Australia or the USA will meet with Henry Roth who will provide the bride with his private cell number and email address which enables access by the bride directly from buying the dress until the bride reaches the top of the aisle.
“The trend for 2012 is all about personalization,” said Henry Roth. “When a woman chooses a dress, it’s truly a passionate, emotional and life-changing experience. By creating a one-on-one relationship between design-house and bride-to-be, we’re forging a personal connection that makes the whole experience that much more magical.”
Brides buying online have stories of dresses that are ill fitted, ill made and don’t necessarily arrive on time. The Henry Roth studio wanted to make a major statement of difference in choosing a wedding gown from Henry Roth. The company believes it is almost like ‘Gown Insurance’.
“When you buy Henry Roth, you’re not just buying a dress, you’re buying an experience,” added Roth. “We work closely with each bride to deliver the best service possible, along with a dress that is truly special and unique. And we let our clients know that no matter where their wedding journey takes them, we’re with them every step of the way. It’s the antithesis of corporatization, and we think, the wave of the future for the modern bride.”
For the Henry Roth schedule for the month of February please click http://www.henryroth.com/special-events.html or http://www.henryroth.com/special-events.html .
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About Henry Roth
Henry Roth creates stunning, chic and affordable couture wedding dresses and gowns that combine international style with exceptional pricing. With nearly 60 years of dressing women for their most beloved special occasions, Henry Roth is a global leader in the bridal market, known for its exclusive designs, exceptional one-on-one service, and creating personal connections with each and every customer. Featuring studios in both Sydney, Australia and New York City, the studio’s work is available at an exclusive and highly selective number of retail stores, in the US, Canada, and Australia. For more information, please visit www.henryroth.com.
Henry Roth is also an internationally renowned fashion commentator and TV host. His work includes: Style Court Judge (Style Network, US); the original mentor on Project Runway Australia (seasons 1 and 2); Beauty and the Geek (Australia). Henry is also the Today Show (Australia) Fashion Editor.
Tags : bridal gowns, Henry Roth, personalization, wedding dress trends 2012, wedding dresses, wedding gowns
International Design House Henry Roth announced today that it is embracing 2012 as The Year of Personalization for Brides with a new one-on-one consultation service that extends from buying a dress through to down the aisle in select locations in the US and Australia.
Normally the Henry Roth Design Studio both in Australia and the USA are turning up the volume by offering a unique, cutting edge and distinct difference between buying online and personal customer service. Starting today any bride who books in for Trunk Shows or Designer Days in either Australia or the USA will meet with Henry Roth who will provide the bride with his private cell number and email address which enables access by the bride directly from buying the dress until the bride reaches the top of the aisle.
“The trend for 2012 is all about personalization,” said Henry Roth. “When a woman chooses a dress, it’s truly a passionate, emotional and life-changing experience. By creating a one-on-one relationship between design-house and bride-to-be, we’re forging a personal connection that makes the whole experience that much more magical.”
Brides buying online have stories of dresses that are ill fitted, ill made and don’t necessarily arrive on time. The Henry Roth studio wanted to make a major statement of difference in choosing a wedding gown from Henry Roth. The company believes it is almost like ‘Gown Insurance’.
“When you buy Henry Roth, you’re not just buying a dress, you’re buying an experience,” added Roth. “We work closely with each bride to deliver the best service possible, along with a dress that is truly special and unique. And we let our clients know that no matter where their wedding journey takes them, we’re with them every step of the way. It’s the antithesis of corporatization, and we think, the wave of the future for the modern bride.”
Tags : choosing a wedding dress, Henry Roth, personalization for brides
The 1990s… Supermodels, Donna Karan, The Gap. It was a decade that is simultaneously about glamour and classic Americana. But don’t forget, it’s also the era of Nirvana-inspired grunge.
When it came to brides, Vera Wang, was the designer that led the decade. Her interpretation of the ball gown that had become so popular during the 1980s as a stripped down bodice similar and full skirt of tulle lent itself to a trimmed down version of the full-skirted and puffed sleeve excess of the 1980s. She is most famous for her remimagining of the 1950s “apron dress” made popular by style icon Audrey Hepburn. However, perhaps the unsung heroes of the 1990s and bridal fashioning are design duo Badgley Mischka who offered an altnerative vision for ’90′s brides with a stunning assortment of paired down yet intricately hand-beaded gowns.
Many of the silhouettes we look to today are inspired, in part, by the 1990s. From the debut of off-the-shoulder designs to highly sculpted corse bodice. However, free-flowing voluminous gowns had been replaced by narrow and A-line gowns silhouettes.
If you want to bring elements of the 1990s into your future-vintage gown, look at Henry Roth’s
Famous brides of the 1990s:-
1990:
Nicole Kidman and Tom Cruise
Rachel Hunter and Rod Stewart
1991:
Amanda de Cadanet and John Taylor
Richard Gere and Cindy Crawford
Elizabeth Taylor and Larry Fortensky
1993:
Donald Trump and Marla Maples
1994:
Heather Locklear and Richie Sambora
1996:
Michael Jackson and Debbie Rowe
1997:
Jada Pinkett and Will Smith
1999:
Jerry Seinfeld and Jessica Sklar
Tags : 1990s wedding dress styling, Henry Roth, wedding dress history
We ended last week with a look back to the 1970s, and today we resume our Henry Roth fashion review with a kickback to the hedonistic 1980s that were fueled by punks, yuppies and the “new wave” movement.
The 1980’s began the era we now know as the “yuppy” years, which gave women a desire to fuse themselves into a predominantly male corporate arena. This high-achieving mindset led way to a generation of “Power dressing” aesthetics and designers looking to cut and boxed traditional business attire with generous shoulder proportions, which gave what is known as a reverse triangle shape to the female form, somewhat similar to a man’s physique. Indeed, the Reagan 80s marked a period reminiscent of the roaring twenties; a sort of no-holds barred opportunity for people to push outside of the box. This was the Yuppie of the 80s, which shared hard angles with the Punk, Retro and New Wave Schools.
Wedding fashion, however, remained soft and flowing at the start of the decade, keeping the natural curves of the female form sacred. Princess Diana’s choice for her 1981 marriage to Prince Charles was to portend the times. designed by husband-and-wife team, David and Elizabeth Emanuel, the sleeve on her ivory silk taffeta gown was as large as her head–a style that had first been memorable in the year 1896. Eventually through the decade, the shoulder pad softened into a rounded, rather than squared silhouette, but was still dramatically enhanced, sometimes with an open keyhole back that closed with pearl strands and lengthy drop dangles.
Princess Diana's wedding gown for her 1981 wedding to Prince Charles defined a decade of bridal dressing
The late 1970s infusion of Victorian revival kick-started the decade with the softly romantic gowns in diaphanous chiffon. Most of the early 1980s gowns were without structural support ad boasted an abundance of petticoats and skirts, which fell freely around the feet. Sheer fabrics facilitated the romantic styles, embellished with embroidered organza and three dimensional Venetian laces.
Sarah Ferguson's wedding gown for her 1986 nuptials to Prince Andrew
Victorian revival gowns popularized high necklines, some of which opened up into Queen Anne keyholes. Laura Ashley opened up the neckline to a squared English country look with peau de soie lined in muslin and screen printed cotton, and Bridallure invested in country charm with matching gloves and picture hats, but the attention was short lived. By mid-decade the wedding gown soon turned to sparkle and glitz–pearl beaded cut-work sleeves and cathedral length cut-work window trains were hand sewn with sparkling sequins. Embroidered organza, embellished hemlines with silky rayon thread and hand sewn beadwork were all the order of the day. However, by the end of the decade, body hugging glamour was in and ads featured a highly sexualized and supremely sexy sheath styled wedding gown.
For some brides, the decade was supremely feminine and some designers held back and simplified, allowing for a return to unstructured, easy glamour. What was consistent, however was that fashion in the eighties was about being conspicuous and ostentatious, with the end result becoming almost theatrical; particularly for brides. Madonn’a gown for her 1985 wedding to Sean Penn perfectly summarized the era–while her dress was surprisingly traditional and feminine, her headpiece was a masculine brimmed hat.
Madonna's bridal look perfectly summarized a decade's aesthetic
Fashion in the eighties was about being conspicuous and ostentatious, with the end result becoming almost theatrical. 1980s accessories coordinate for an unforgettable look.
The focus of the late 1980s went to the headpiece in grand style. For eighties rock n’ roll brides, the pouf veil effectively complimented the crimped big hair (think roll and roll dreams). Sequined hakus and pearl drop headbands accented the forehead and new flashy metallic tulles made their debut with names like “glamour dust” and “meteorite.” Hair was teased and backcombed, and earrings were simple pearl posts or short drops.
A large fad for the late 1980s was the creation of wreath style headbands, shaped like leaves in a spray. The widow’s peak headband was made from wire and buckram, covered with fabric and embellished with sequins. Pearl drops added detail.
Henry Roth’s future vintage aesthetic and styling often incorporates elements of bridal fashions that were made popular in the 1980s. Though voluminous sleeves are no longer the order of the day, with the majority of rides opting for strapless or a capped, off-the-shoulder sleeve, the ball gown bridal silhouette has the 1980s to thank for it’s popularity. For a 2012 take on the ball gown, look to Kay, Nicole, Ireland. Meanwhile, for a modern take on the glamour of popular 1980s television shows, such as Dallas and Dynasty, the look has got to be Nevada, which features glamorous draped dropped waist gown, spills into layers of soft organza, tiered ruffles, with satin bias detailing, for a look that Joan, Linda and the gang would covet.
Famous Weddings of the 1980s:-
1981: Lady Diana Spencer and Prince Charles
1985: Madonna and Sean Penn
1986: Sarah Ferguson and Prince Andrew
1986: Maria Shriver and Arnold Schwarzenegger
1986: Paula Yates and Bob Geldof
Tags : 1980s bridal styling, Henry Roth, Madonna wedding, Princess Diana wedding, Sarah Ferguson wedding, wedding dress history
This week, at Henry Roth we look at Mum’s rocking their frocks on our Facebook page. With this in mind it is an ideal opportunity to look at wedding dress styling through the latter half of the 20th century, which has influenced Henry’s signature “Future Vintage” aesthetic.
Today, we begin with the 1940s and 1950s.
1940s
The 1940s are divided into two parts: during the war and after the war. Due to rationing, wartime meant brides often opted for simple designs and borrowed dresses. Post-war, however, signaled the fashion era known as New Look–this was a stylish and feminine approach to dressing. The troops returning home also led to a boom in weddings as sweethearts were reunited after a period of gloom and austerity.
Wartime brides opted for borrowed gowns, mended family gowns or simply wore their best dress. Some style features that might have featured on their gowns are:
1940s Bride, former Miss Brooklyn, Frieda Thomas (nee Siegel)
New Look fashions paved the way for 1950s styling. During this time brides and women in general, looked to tighter waists and fuller skirts.
The most famous bride of the 1940s is Queen Elizabeth who married Prince Philip in 1947 while still a princess. At the time, food and clothing were still rationed in post-war England and so royal dressmaker, Norman Hartnell used Princess Elizabeth’s wedding dress to convey a message of renewed hope. He did this in part by embroidering the gown with garlands of spring flowers.
Princess Elizabeth marries Prince Philip, 1947
1950s
During the 1950s, wedding dresses tended to be traditional length with sleeves and fe embellishments. A lifted rationing on fabrics meant brides now looked to full skirts, rounded shoulders, a very emphasized waist, a bodice with “pointed bosom.” Dressing for women in the 1950s was all about celebrating their hourglass figure. Hoop skirts, crinolines, and other techniques were used to play it up.
During the 1950s French lace was all the rage, as post-war lace began to be manufactured again. It was therefore not uncommon to find brides opting for tiers and tiers of chantilly lace on their bridal gowns.
A few other looks that made their way into the wedding dresses of the 1950s:
Henry Roth's mother, Reta Weinreich, perfectly exemplifies the 1950s fashioning and silhouette
The most famous bride of the 1950s is, of course, Grace Kelly, who married Prince Rainier of Monacco in a 1956 ceremony.
Grace Kelly on her wedding day to Prince Rainier III of Monacco: Her dress has since become iconic
Princess Grace of Monacco’s wedding dress as since been the source of inspiration for many brides, most famous of which is Kate Middleton who married Prince William on April 29th, 2011 in a wedding dress designed by Sarah Burton for Alexander McQueen. The exquisite bridal gown was the source of much speculation in the run-up to the wedding and once revealed, the comparisons to Princess Grace’s wedding dress were instantly made.
Kate Middleton in a Sarah Burton for Alexander McQueen couture wedding gown: A modern take on 1950s styling.
For Henry’s take on 1950s wedding gowns, look to Zoe, Zoe Too and Maya.
Maya gown by Henry Roth
Tags : 1940s, 1950s, Henry Roth, kate middleton, lace, Princess Grace, Queen Elizabeth, wedding dress history
All this week on Facebook, we are asking our Henry Roth Facebook fans to post pictures of their mums on their wedding days. We want to look back in time, get all nostalgic and celebrate mums. It’s also a fabulous way to look at how wedding dresses have developed over the years, and how the silhouettes of yesteryear inspire those of today. In honor of this, each day we are going to look back to wedding gown trends and silhouettes over the years. After all, they are all at the core of Henry’s signature future vintage aesthetic.
Henry's mother, Aneta Weinreich, in her fashion-forward frock
In the 1950, during a November heatwave, Henry’s parents Joseph and Aneta Weinreich got married and formed a partnership that was not only to grow into a long-lasting marital union but would also be the foundation of what has become Henry Roth bridal atelier today.
“My mum was a bit of a fashion forward bride as most if not all brides on that day wore gowns top the floor,” Henry told me today. ”It was co-designed by my Grandmother, Franka Baral, and my mother, Aneta. It was made from Guipure lace imported on from France. It was a very ahead-of-its-time gown.”
Zoe gown by Henry Roth
Indeed, Aneta’s polka-dot, 3/4, tea-length gown has inspired two Henry Roth dresses: Zoe (and Zoe Too) and Maya (US only).
Maya gown by Henry Roth
“My parents are amazing powerhouses of positivity,” he continued. “We are a three generation bridal designing family. My parents are also holocaust survivors so for them after surviving that atrocity wedding dresses have tremendous symbolism. It is about the renewal of hope, entering positive new chapters with brides, new dreams and aspirations. Wedding dresses are far more than just fabric, they symbolize new beginnings and it is a huge privilege and amazing profession.”
So this week, in honor of Henry Roth matriarch, Aneta Weinreich, and her spectacular, fashion-forward wedding dress, head over to our Facebook page and post a picture of your mum on her wedding day–we want to see how she rocked her frock!
Tags : bridal gown, future vintage, gown inspiration, Henry Roth, modern vintage, rock your frock, wedding gown
Real Henry Roth Bride: Meg
Yesterday, we cemented Henry’s Australia Designer Dates. We know that you will want to book your appointment to meet with Henry early, so without further ado, here are the dates and cities Henry will be visiting in February:
Henry’s Designer Days are the perfect opportunity for brides who want to have that special one-on-one connection with their dress designer. The visits allow brides to have a personal and private consultation with Henry, because–at the end of the day–your dress really has to talk to you–if you’re not feeling it you’re not wearing it.
The Designer Dates will feature gowns not yet seen on the runway–they will be shown in New York in April–so this is a major sneak peak for brides. During your private one-on-one styling session with Henry, you will discuss your body type, reception and venue to build a look that the bride feels comfortable with, glamorous in and, most importantly, is within her budget. In short, you will create the perfect look you are trying to achieve for your ceremony and reception. From there, Henry will style your gown, veil, headpiece and accessories.
So, what are you waiting for?! Book your appointment with Henry today to make sure you can take advantage of this amazing opportunity in the process of saying yes to your dress.
Tags : Designer Dates, Designer Days, Henry Roth, wedding advice, wedding dress consultation
Real bride Katherine in Nicole gown by Henry Roth
As you know, here at Henry Roth Central we are a sucker for a beautiful bride in a gorgeous gown. Especially if said gown is by our favorite designer. So, we love nothing more than hearing back from our brides with gorgeous pictures and lovely anecdotes of the day we dressed them for. Case in point? The stunning Katherine, who married her beau, Ted, in a South Florida beach-side ceremony a couple of months ago in November 2011.
Katherine chose our stunning dress, Nicole, for her special day because she felt its fluid lines and whimsical nature were in keeping with her beach nuptials. The organza swirl and corseted bodice were, indeed, perfect for her day and the feel of Katherine and Ted’s wedding day.
We caught up with Katherine briefly to get her top tips for other Henry Roth real-life brides. Her hot tip? Well it’s one that is particularly pertinent to other beachy brides. Katherine advises if you are exchanging vows on the sand to opt for flip flops for the ceremony portion. And, most importantly, find one with a wedge, she exclaims! Then, once you are Mister and Misses and are heading into the party, slip on your incredible shoes so you feel sexy and gorgeous as you dance the night away.
Thanks, Katherine, for sharing your STUNNING pictures and fabulous anecdotes. We wish you and Ted a lifetime of health and happiness.
Until tomorrow,
Tags : beach wedding, Henry Roth, Real Brides
Here at Henry Roth, we pride ourselves with being on-trend and appealing to all brides.
When it comes to weddings, one thing is timeless–wedding dresses are typically a variation on white. However, you only have to look through your parents’ generation’s wedding pictures to know that bridal gowns are as much about trends as any other part of fashion. And this year, we are most inspired by the classic and elegant gown worn by Catherine Middleton, Duchess of Cambridge last April, which was a huge departure from the dress worn 30 years earlier by her husband’s mother, Lady Diana Spencer.
So, without further adieu, what can we look to this year?
Lace, whether it is chantilly, Alencon, Duchesse Guipure, or ribbon, lace is a traditional bridal fabric that we are looking to use in new and exciting ways. And worn, a la Kate, you capture one of the season’s biggest bridal trends–lace sleeves. Our Darcy gown is all about the Alencon lace in which it is constructed.
Illusion-style necklines. This is where a sheer, delicate, and often embellished layer of fabric veils skin that would otherwise be exposed. Our take? Kara.
Color, is beginning to make an appearance in bridal gowns and, indeed blush gowns are a budding trend for 2012. But while many brides who look to color will implement subdued colors into their gown, there are others who opt for rich and vibrant hues. To bring color to your gown, you can go all out or look to incorporate it in accents on sashes, bows, embroidery, hems, necklines or beading. Love this look? Take a look at Kerri (which also, incidentally, incorporates another big trend–two-tiered skirts.)
Modern silhouettes with a nod to vintage. Our signature look is “future vintage” so take a look through our collection and you will be perfectly on trend with any gown you choose!
Whichever look you choose, one thing’s for certain, you are bound to rock your frock.
Until next time,
Henry
Tags : alencon, bridal gowns, catherine middleton, chantilly, color, duchesse, future vintage, guipere, Henry Roth, kate middleton, lace, lady diana spencer, modern vintage, princess diana, princess of wales illusion-style necklines, ribbon, signature look, wedding dress trends 2012, wedding dresses
Finding the perfect gown is just the tip of the bridal iceberg. Once you have chosen the dress, you will have to find the ideal undergarments to go under said frock so that you look as perfect as you should.
Here, Henry Roth‘s lowdown on bridal basics essentials.
PS – you need to purchase your lingerie before your first fitting.
A good fitting bra is essential. The ideal bra will be supportive and comfortable for the hours of dining and dancing you will no doubt take part in, not to mention make you look up-lifted for all the photo ops. Remember, you can slip into the provocative, flimsy lingerie when you take the gown off. For the gown, comfort is key.
Spanx are the wonder garment of our day. Not to mention a bride’s best friend.
Comfort is, again, the name of the game. To avoid a wedgie, we often suggest our Henry Roth brides choose hosiery with built-in underwear.
Tags : bridal lingerie, dress advice, Henry Roth, underwear, wedding advice
In today’s final fabric 101 installment, Henry tips us off on taffeta.
Taffeta is sleek, elegant and regal; it exudes vintage, has body, holds its shape and it drapes like a dream. Michelle and I love to use taffeta because, like Lace (see yesterday’s 101), it is classic and can be used in both traditional and fashion-forward ways.
We feature taffeta in the following Henry Roth designs
1. Choose ballgown Ireland if you adore the regal elegance of traditional taffeta festooned and flounced featuring stunning lace and Swarovski beading.
Ireland gown by Henry Roth
2. The combination of taffeta, tulle and gorgeous beaded appliqués is dreamy in style Kaz, is ideal for garden and beach weddings.
Kaz gown by Henry Roth
3. Kathy has just about all the asymmetrical glamour that we can handle with its contoured bodice with divine beading and scalloped edging lace on the tulle skirt
Kathy gown by Henry Roth
Who wears it?
The romantic and traditional as well as the relaxed and fashion forward who are looking for just a touch of glamour. One of our favourite brides who chose Taffeta last year was Real Bride Athena who wore her Ireland gown twice over, once at a ceremony in Wiltshire UK and all over again at a country ceremony in the Australian bush (check out a selection of Athena’s photographs here: http://www.henryroth.com/realbrides/athena.html and here: http://www.henryroth.com/realbrides/athena-1.html
Tags : fabric 101, Henry Roth, Ireland, Kathy, Kaz, Real Brides, taffeta
Lace is a traditional fabric for wedding gowns. This is where mine and Michelle’s signature is very strong because lace exemplifies our “future vintage” style. We take old school silhouettes and interpret them into modern shapes for the quintessential Henry Roth signature style which Michelle and I love to delve into.
For this reason, we adore using different laces in different ways.
1. Chantilly lace which is light and malleable creates a romantic, feminine bridal look. A quintessential Henry Roth style as seen on Ina/Diana.
Ina (Aus) or Diana (US) gown by Henry Roth
2. Lace appliqués from Alencon lace is a technique which has its origins in France. It is corded and is used on gowns to punctuate the fabric styling by giving it gesture and flair in gowns such as Helena, Kalea, Darcy/Inga.
Inga (aus) or Darcy (US) gown by Henry Roth
3. All over lace which is lighter and malleable and easy to work with. Have a look at Kara.
Kara gown by Henry Roth
4. In styles like Karissa light Alencon lace is delicately beaded with Swarovski crystals to give texture and the glistening effect of the beading gives more lustre to the lace.
Karissa gown by Henry Roth
Who wears it?
Lace is having a huge trend revival because of the way it is used with shapes in such a creative way. Michelle and I love taking contemporary, gorgeous striking silhouettes and waving a magic wand using lace. This is for brides who want to make a fashion forward statement or look to more classic styles for a twist on 21st century modern princess.
Tomorrow we conclude Fabric 101 with Silk.
In the meantime… Remember to Rock Your Frock!
- Henry
Tags : fabric 101, fabric advice, future vintage, Henry Roth, lace, Michelle Roth, wedding dress
Today, Henry is continuing on his Fabric 101 “course” with a look at timeless and ethereal organza. Romantic, whispy and other-worldly, organza is ideal for the bride seeking a particularly romantic silhouette.
Over to you, Hen….
What is organza? Organza is a whisper-light fabric with body. If you were to look at a veil which is tulle (net) and almost translucent, chiffon is much more flexible and more lank. Meanwhile, organza is opaque and has more body to it; although it is light it is wonderful to use in gowns that have more structure. It is far lighter than satin (please refer to yesterday’s Satin entry).
The organza that we use at Henry Roth is a man-made fibre though indeed there can be a silk content organza. Michelle and I tend to use the manmade organza because it is a fraction of the cost of the silk, and contains fewer potential flaws and catches, though it still has virtually the same effect as silk organza
Lets look at the flexibility of organza and why we love using it so much.
1. Frills and flounces – Organza has body and lightness so it makes great frills and flounces without going too bulky and too heavy (Karina).
Karina gown by Henry Roth
2. Organza drapes beautifully because it has texture yet is translucent. We often use organza as the top layer with satin underneath to give substance. Karola is a perfect example of a clean a-line gown with the second layer satin and the top layer organza. We then drape the organza and leave the satin untouched as a frame. Then the piece de la resistance of a gown like Karola are the appliqués which are virtually like gown candy.
Karola gown by Henry Roth
3. Organza swirls – if you look at our Nicole gown you will see that this is on trend with gowns that have become almost sculptured and very “red-carpet celebrity” in style. Here we take organza and drape it in swirls at the front and create layering in the back for an almost soft ethereal and cloudlike effect.
Nicole gown by Henry Roth
4. Organza in light bodied a-line gowns like you can see here in Kendra, for which we have used our organza overlay in a modified clean a line skirt satin to frame the skirt. This gives a lightness and airiness that just using satin would not achieve.
Who loves wearing organza?
The people that love organza love the fact that it has an element of formality and lightness. Organza is worn by brides who enjoy a play of texture fabrication and who love that airy light feeling that organza brings.
Next up tomorrow? Tulle.
Until then,
Stay fabulous,
Henry xo
Tags : Australia, dress advice, fabric 101, fabric advice, Henry Roth, Michelle Roth, Organza, silk, USA
Henry Roth
Welcome to fabrics 101. All this week, Henry is going to give us the scoop on the best fabrics in bridal wear. Today, we start with one of the most popular of all: satin.
Satin is a man made fabric, which either has a silk content or a non silk content. The beautiful thing about today’s technology is that the new generation satins have a softer thinner texture which are silk-like at a fraction of the silk cost.
Michelle and I like to work with a non-silk blend as silk can catch and show flaws more easily than customized polyester. The three satin fabrics that we adore at the moment are:
1. Matte Sheen Satin – If you look at the style Kay (and 3-4 new styles in the pipeline) the fabric is treated in a special way according to our specifications that we call “matte sheen” – the fabric literally glows. When designing using this fabric we have used a lot of draping so that the draping is thinner so is less bulky.
Kay gown by Henry Roth
2. Tissue Satin – This is even thinner than Matte Sheen Satin and the beautiful thing is that it drapes beautifully. It has been created specifically for outdoor and lighter weddings. Take a look at Horton/Helen which is light and airy and perfect for lighter weddings.
Helen gown by Henry Roth
3. Traditional Satin – is slightly heavier and used by Michelle and I when we have more elaborate beading or more of a traditional style because the fabric lends itself to a kind of look when we want to achieve regal styles. Please take a look at Ivanka which gives an indication of a grander more ’established’ fabric that is used for this kind of look.
Ivanka wedding gown by Henry Roth
A question I am often asked is: How do I know if the fabric is satin?
The tell-tale signs are that Satin has a smooth texture and is soft to the feel. It comes in various degrees of malleability and flexibility. Even the classic and heavier weight satin has a wonderful weight and flexibility.
Brides love satin gowns for the classic feel and look. Michelle and I love using new-generation satins which are cut in gorgeous contemporary shapes. We like to use them in our signature look that we call ‘future vintage,’ such as our gorgeous Georgina gown.
Georgina gown by Henry Roth
Who loves wearing satin?
Fabric is a really personal choice some choose because of the feel, some because of look and the sense of formality which comes with the use of satin which other fabrics can’t give. Satin does not need to be over-embellished, it provides striking silhouettes without clutter and overworked design.
On Tuesday, we talk about Organza.
Until then,
Henry xo
Tags : classic, fabric 101, future vintage, Henry Roth, henry roth bridal gowns, henry roth wedding dresses, matte sheen satin, satin, tissue satin, traditional satin
Henry
Yesterday we reviewed your Top 10 Dress Stresses. And today, Henry gives his solutions to make the gown-picking process as enjoyable as it should be. So put your wedding gown worries behind you and remember that on the day, you will Rock Your Frock!
Stress # 1: Is the dress the right style for my body type?
Henry says: The best way of really knowing is moving away from theory and going into the essential shapes 101 test at your first appointment. Try on the 4 essential shapes which are:
1. Ball gown
2. Empire
3. Straight
4. Mermaid
Within 35 minutes of you trying on the 4 shapes you will see and feel for yourself what shape suits you best. Honestly, it is the best 35 minutes you can spend of your first appointment. It also works really well as it determines once and for all the shapes you thought would work best and the shapes that really do work best for you. It adds to your confidence factor when you walk down the aisle as you know for sure that the shape you choose was best for you.
Stress #2: What will be appropriate for where I am getting married?
Henry says: The best way to answer this is to take yourself “astral travelling.” I want you to imagine that you are at your reception and ceremony places. Whether your wedding is on the beach or in a ballroom makes a great deal of difference as to what is most appropriate for you. The most important thing and the fact that stands out second most importantly for brides when finding THE GOWN is comfort. If you can’t imagine or “ see “ yourself in the gown you are trying on, it is not THE Gown. Look and comfort combined are everything That is also where individuality takes over. If your personality calls for glitz and glamour on the beach then it will work. Why? Because you will carry it off. Low key and bling-less for the ball room ? Absolutely if your personality is all about less is more.
Stress #3: How do I set the right wedding dress budget for what I am looking for?
Henry says: Please go to www.theknot.com or www.brides.com… or any of the major bridal website. There you will find bridal budget breakdowns. BEFORE you spend on any item. According to brides from a recent Roth report that we are about to publish in February, brides place their bridal gown above any other item on their bridal list. So make sure that you know what you are allowing for each item and allow a 10-15% wiggle room factor for your dress. Please don’t forget, you need to factor in alterations, shoes, veil and headpiece as well as accessories.
Stress #4: How do I make my bridal gown dollar stretch?
Henry says: Here are some helpful hints:-
* If your dress is beaded ask what the reduction would be if it was say 50% and then 100% less beading
* If the dress has a train check what the cost would be without a train
* If the gown has no train ask for the cost of a long veil but make it plain and ethereal and no beading at all
* Does a member of the family know how to do expert bridal alterations?
* If the gown is most important to you then perhaps reduce some flowers in your flower budget, less expensive stationery or reduce the number of guests. It is all about your priorities and give and take.
Stress #5: How will I know it is the right dress?
Henry says: You will feel it. Trust me you will. It’s about how you feel and you will know. Listen to your heart. It will speak!
Stress #6: What should I do to prep the night before I go wedding dress shopping?
Henry says: Get a good night’s sleep or gather with your GF’s and celebrate. Make sure you leave plenty of time before hand to get to your appointment early. Take your pictures that you have printed from the internet and cut out from the bridal magazines and go with an open mind and ready to make your decision that day. It’s normal to try the first gown on and after all the others come back to it. If your mother can’t be with you and you want her opinion make sure that she knows or knows someone that can work a webcam as most stores now supply that facility and BOY does it take the stress out of making that final decision flawlessly !
Stress #7: How many people do I bring to help me choose my dress?
Henry says: This is not a fashion runway… well it is of sorts (but not really) and so you want to keep the numbers low and meaningful. Your Mum (respect is essential at all times according to my books); your BFF< your siblings ( here comes the respect thing again) and just make sure that you are aware that you are going to get opinions you may not agree with GOOD ! That will help galvanize the decision for you even more. But… at the end of the day it really is up to you.
Stress #8: Who do I listen to when choosing my dress?
Henry says: Your heart
Stress #9: How do I pick the right gown silhouette?
Henry says: After you have done the gowns shape 101 ( Point number 1) you will determine out of the major shapes what is right for you. Then you hone in on it relentlessly until you find THE DRESS!
Stress #10: How do I choose between satin and lace and all the difference options for embellishments?
Henry says: That is determined on what makes you feel and look most glamorous. It is also a personal thing. People love the touch and weight and feel of different fabrics. If you are not sure what they are now, you will be after the gowns 101 session as that will invariably include not just different shapes but also make sure there are different fabrics. It is all about style and comfort. And remember: feeling it is knowing it! Listen to your inner voice and you will have the answers. Trust me!
Tags : Henry Roth, Henry Roth's advice, wedding dress advice, wedding dress stress, wedding gown worries
At Henry Roth, we are inspired by real brides.
For many brides, it is all about the dress. Indeed, I tend to find it’s what most brides stress about. More so, even than the reception, the ceremony, the flowers, or any other detail associated with a wedding.
Having been in this industry for so long, and having worked with so many Henry Roth brides, I can tell you, that if you are a bride stressing about her dress, you are not alone. In fact, you are in good company. And what do you brides stress out about most when it comes to your dress? Here are the Top 10 Wedding Dress conundrums I’ve heard your fellow betrothed beauties mutter…
1. Is the dress the right style for my body type?
2. What will be appropriate for where I am getting married?
3. How do I set the right wedding dress budget for what I am looking for?
4. How do I make my bridal gown dollar stretch?
5. How will I know it is the right dress?
6. What should I do to prep the night before I go wedding dress shopping?
7. How many people do I bring to help me choose my dress?
8. Who do I listen to when choosing my dress?
9. How do I pick the right gown silhouette?
10. How do I choose between satin and lace and all the difference options for embellishments?
You see? Who would have thought picking out a dress could be so hard? But this isn’t just any dress, is it? It’s the dress you have been dreaming of since you were a little girl, it’s the dress in which you will transition from single to married, and it’s the dress that will be captured in hundreds of pictures as you make this enormous rite of passage.
So, it’s important to me that all these concerns are addressed and dealt with, and that you realize you are not alone in having them. In tomorrow’s blog I will answer each one with expert advice on how to take the stress out of buying your gown so you will undoubtedly Rock Your Frock! At Henry Roth, real brides inspire us, and in turn I hope we can inspire you.
Until then…
Henry x
Tags : bridal dress stress, Henry Roth, real brides inspire, wedding dress worries
Henry Roth loves bringing real brides together to share their advice and perspective on weddings, and dresses, and more. As such, for Rothtv: Sydney Edition, Henry visited Vision In White bridal boutique in Parramatta, Sydney (Australia) to meet and mingle with the blushing brides themselves.
In the latest edition of Rothtv, Henry interviews brides and professionals onsite at Vision In White, soliciting their wedding advice on everything, from the big day itself, to the reception, and–of course–the dress. Meanwhile, the brides are captured trying on Henry Roth gowns under the expert supervision of Henry himself.
Buying a wedding dress is such a pivotal moment in most women’s lives and the excitement in the room is evident. However, for one bride, the day is particularly emotional. Erica bought her dress from an online retailer and with just five days until her big day, was stunned that her dress had still not arrived. Thank goodness for the Henry Roth Trunk Show at Vision In White, where Erica found her dream Henry Roth dress. Her advice for brides? Choose a reputable retailer!
Congratulations to bride, Erica Jackel, on rocking her Henry Roth frock at her November I Dos.
Tags : Henry Roth, Real Brides, Roth tv, Vision in White bridal boutique, wedding advice, wedding dress
